Warning!
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Liz Craft and Charles Ray are in Chelsea, Martin Puryear is at the MoMA, and this can only mean one thing:
It is time for extended exegesis on the manifold meanings and glories of sculpture!
If you don't want to hear about the relationship between the inside and the outside; about what the word structure means; the drawbacks of fetishizing materials and the ballsiness of reclaiming a commonly fetishized material; homogeneity versus armaturefulness; the Charles Ray Payoff (or The Need For An Explanation) Problem and Why He Is Still a Small God Anyway; and how one makes a sculpture work in time just by walking around it, then go to a different blog! I mean it! I am fucking stoked! It's sculpture season!
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1 Comments:
Well, allrighty! I must razz about the first photo, though. My initial read of it was a pictoral space. That gallery floor appears as such wonderful horizontal/horizonal brush strokes.
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